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Go-go is a popular music subgenre associated with funk originating in the Washington, D. It became the official music of the city in Go-go is a blend of funk, rhythm and blues , and soul music , and as such, primarily a dance hall music with an emphasis on live audience call and response. Go-go is a blend of funk, rhythm and blues, and old school hip-hop , with a focus on lo-fi percussion instruments and funk-style jamming in place of dance tracks, although some sampling is used. As such, it is primarily a dance hall music with an emphasis on live audience call and response. Unique to go-go is an instrumentation with 2 standard Congas and 2 "Junior Congas", 8" and 9" wide and about half as tall as the standard Congas, a size rare outside go-go. They were introduced to Rare Essence by Tyrone "Jungle Boogie" Williams in the early days when they couldn't afford full sized Congas, and are ubiquitous ever since. Its name arises from the persistent percussive beat, but it incorporates elements of many other genres. Although Chuck Brown is known as " The Godfather of Go-Go " and his tremendous influence in this music is unmatched, Go-go is a musical movement that cannot be traced back to one single person, as there were so many bands that flourished during the beginning of this era that they collectively created the sound that is recognized as Go-Go of today. In the mids, "go-go" was the word for a music club in the local African American community, as in the common phrase at the time going to a go-go popularized by a million-selling hit of the same name by The Miracles.
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Go-go is a popular music subgenre associated with funk originating in the Washington, D. It became the official music of the city in Go-go is a blend of funk, rhythm and blues , and soul music , and as such, primarily a dance hall music with an emphasis on live audience call and response.

Go-go is a blend of funk, rhythm and blues, and old school hip-hop , with a focus on lo-fi percussion instruments and funk-style jamming in place of dance tracks, although some sampling is used. As such, it is primarily a dance hall music with an emphasis on live audience call and response.

Unique to go-go is an instrumentation with 2 standard Congas and 2 "Junior Congas", 8" and 9" wide and about half as tall as the standard Congas, a size rare outside go-go. They were introduced to Rare Essence by Tyrone "Jungle Boogie" Williams in the early days when they couldn't afford full sized Congas, and are ubiquitous ever since. Its name arises from the persistent percussive beat, but it incorporates elements of many other genres.

Although Chuck Brown is known as " The Godfather of Go-Go " and his tremendous influence in this music is unmatched, Go-go is a musical movement that cannot be traced back to one single person, as there were so many bands that flourished during the beginning of this era that they collectively created the sound that is recognized as Go-Go of today.

In the mids, "go-go" was the word for a music club in the local African American community, as in the common phrase at the time going to a go-go popularized by a million-selling hit of the same name by The Miracles. Dancers could expect to hear the latest top 40 hits, as many as twenty at a time, performed by local funk and soul bands, including Chuck Brown. They later became known for their hit "Jungle. Chuck Brown was a fixture on the Washington and Maryland music scene with his band the "Los Lotinos" as far back as By the mids he had changed the group's name to "The Soul Searchers," and developed a laid-back, rhythm-heavy style of funk performed with one song blending into the next in order to keep people on the dance floor.

The beat was based on Grover Washington Jr. Magic," [10] though Brown has said in interviews that both he and Washington had adapted the beat from a gospel music beat found in black churches. Another popular local cover band in the early s, Aggression, would use rhythm breaks to keep fans dancing while they prepared for the next song, fixed guitar strings, etc.

As Aggression gained popularity, they started holding dance contests during the rhythm breaks, which subsequently grew in length. The audiences began to look forward to these contests and the band's style evolved to where the beat would stop only occasionally during the course of a show. In , James Funk, a young DJ who spun at clubs in between Soul Searchers sets, was inspired and encouraged by Brown himself to start a band—called Rare Essence originally the Young Dynamos —that played the same kind of music.

Experience Unlimited a. After witnessing Rare Essence in the lates, they modified their style to incorporate the go-go beat. Trouble Funk had its roots in an early s Top 40 cover band called Trouble Band, then fronted by drummer, Emmett Nixon. With the inclusion of Robert 'Dyke' Reed keyboards, guitar, vocals , Taylor Reed trumpet, vocals , James Avery keyboards, vocals , Teebone David percussion , and Tony Fisher bass, vocals , the band changed its name, and, in the late s, after seeing the light at a gig they played with Chuck Brown, they, too, adopted the go-go beat.

Trouble Funk recorded the go-go anthem "Hey, Fellas. Go-go's first national chart action came when Black Heat the first D. Trouble Funk put out a few records on New Jersey -based label Jamtu before signing with one of the more powerful hip hop labels, Sugar Hill , where it released a six-track LP called Drop the Bomb in , which included the hit "Pump Me Up" which had already been a regional hit years before.

Along with the recording contracts Blackwell was handing out, he also wanted to make a go-go film and soundtrack ; a D. The resultant film, Good to Go or Short Fuse , as it was called on video was plagued with problems: co-director Don Letts was let go halfway through production, [14] the film became less about the music and more about drugs and violence, and despite the fact that most of the post-production was completed in the fall of , the film was held for release until late-summer When it did poorly on release, it seemed that go-go had missed its best chance to break into the mainstream.

Unable to afford instruments for their band, they fashioned drums out of empty buckets and traffic cones, tin cans substituted for timbales, and, in place of a brass section, they used plastic toy horns. Adding real instruments to their gear a little at a time, by they had joined the ranks of D.

Not much happened with that record—at first. However, within a year or two of its release, the flipside, "Sardines", became and remains to this day the group's signature song. It was even performed in the film Tougher Than Leather. Hoping to build on their success, in they released Livin' Large on Virgin Records. A second Virgin release, Cold Kickin' It , came out the following year but failed to make much of an impression on the national charts.

Experience Unlimited had a resurgence in the mids by partnering with the jazz and gospel singer Maiesha Rashad , performing under the name "Maiesha and the Hip Huggers". Maiesha and the Hip Huggers have headlined events and concert venues such as B. As time passed, more and more of a hip-hop influence crept into go-go. Early MCs like D. Where bands once featured horn sections and multiple guitarists in addition to a phalanx of percussionists, many current go-go bands have stripped down to just keyboards and percussion.

Another trend is to have a dedicated percussionist with plastic "wood blocks" performing much of what used to be handled by the Junior Congas. Many of these bands use the term "Grown 'n Sexy" to indicate a focus on appealing to audiences over Some go-go artists have been able to transition into other areas of entertainment. In addition to the magazine being a source of information on go-go shows, it serves as a community forum in which go-go fans routinely submit their own articles on issues unique to the genre.

Additionally, musicians from other genres of music have incorporated elements of the go-go aesthetic into their compositions and stage acts. Composer Liza Figueroa Kravinsky composed the Go-Go Symphony , an original full orchestra symphony that incorporates the go-go and bounce beats.

She founded the identically named Go-Go Symphony ensemble, [21] which performs the Go-Go Symphony and other mashups of go-go and classical, sometimes in partnership with other full symphony orchestras. The February 21, world premiere of the fully orchestrated Go-Go Symphony and similar pieces, performed with the Capital City Symphony, received standing ovations and rave reviews.

In the late s and early s, it became harder for go-go bands and local venues to hold concerts as law enforcement in both Washington, D. However most of the venues have closed, with some residents putting it down to gentrification which has forced many African-American residents out of previously low-income neighborhoods. One area, Shaw , which was 11 percent white in , was 62 percent white by Some new residents, however, have embraced go-go and locals are optimistic that it will continue to thrive.

After one new resident's complaint about noise in the street, there were protests, which grew into a block party with go-go performances. In February , go-go was named the "official music" of Washington, D. From Wikipedia, the free encyclopedia. For the dance, see Go-go dancing. For other uses, see Go go disambiguation. This article has multiple issues. Please help improve it or discuss these issues on the talk page.

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April Learn how and when to remove this template message. Funk soul. Drums keyboard synthesizer conga rototoms cowbell bass guitar electric guitar saxophone brass instruments vocals timbales. Washington metropolitan area Mid-Atlantic region. Music of Washington, D. United States portal s portal s portal.

Stephenson, Jr. Archived from the original on Australian Broadcasting Corporation News. Retrieved 5 May Retrieved San Francisco Bay Guardian. Global Rhythm. The Washington Post. The Washington Times. Retrieved 20 February Funk music. Categories : Go-go s in American music s in American music s in American music African-American music 20th-century music genres American styles of music Music of Washington, D. History of Washington, D. Hidden categories: All articles with dead external links Articles with dead external links from January Articles with permanently dead external links Webarchive template wayback links Articles needing additional references from May All articles needing additional references Articles with disproportional geographic scope from April Articles with multiple maintenance issues Articles with hAudio microformats All articles with unsourced statements Articles with unsourced statements from May Namespaces Article Talk.

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